THE SCIENCE OF SOUND
DEFINITION OF SOUND:
SOUND IS EVERYTHING WE PERCIEVE THROUGH OUR EARS
FRECUENCIES / MECANICAL WAVES BETWEEN 20 TO 16000 CYCLES / REPETITIONS PER SECOND
DENOMINATION HERZ / Hz
40 - 400 Hz / DOUBLE BASS
200 - 4000 Hz / VIOLIN
INFRASOUND: UNDER 20 Hz / ELEFANTS PRECIEVE BETWEEN 12 TO 30 HZ
ULTRASOUND: MORE THAN16000 Hz / BATS CAN PERCIEVE BETWEEN 40 TO 120 kHz
SOUND IS EVERYTHING WE PERCIEVE THROUGH OUR EARS
FRECUENCIES / MECANICAL WAVES BETWEEN 20 TO 16000 CYCLES / REPETITIONS PER SECOND
DENOMINATION HERZ / Hz
40 - 400 Hz / DOUBLE BASS
200 - 4000 Hz / VIOLIN
INFRASOUND: UNDER 20 Hz / ELEFANTS PRECIEVE BETWEEN 12 TO 30 HZ
ULTRASOUND: MORE THAN16000 Hz / BATS CAN PERCIEVE BETWEEN 40 TO 120 kHz
THE LAW OF THE OCTAVE
DEFINITION OF THE OCTAVE:
THE OCTAVE IS THE EIGHTH NOTE OF THE MUSICAL SCALE
A - B - C - D - E - F - G - A
THE OCTAVE IS THE EIGHTH NOTE OF THE MUSICAL SCALE
A - B - C - D - E - F - G - A
IN GREEK MUSIC THEORY THE OCTAVE WAS DEFINED AS SYMPHONIA / WHAT SOUNDS TOGETHER
IT WAS KNOWN AS THE MUSICAL INTERVAL WITH THE HIGHEST GRADE OF FUSION
AN INSCRIPTION AT THE CATHEDRAL OF CHARTRES, FRANCE, READS: THE OCTAVE TEACHES ALL MEN TO BE BLISSFULL
IN PHYSICS AND IN MATHEMATICS IT REPRESENTS THE RELATION OF LESS FRICTION: 1/2
IT WAS KNOWN AS THE MUSICAL INTERVAL WITH THE HIGHEST GRADE OF FUSION
AN INSCRIPTION AT THE CATHEDRAL OF CHARTRES, FRANCE, READS: THE OCTAVE TEACHES ALL MEN TO BE BLISSFULL
IN PHYSICS AND IN MATHEMATICS IT REPRESENTS THE RELATION OF LESS FRICTION: 1/2
SCHEMATIC REPRESENTATION OF THE OCTAVES:
ACOUSTIC POTENCIES OF OUR SOLAR SYSTEM
HOW TO CALCULATE ACOUSTIC POTENCIES OF OUR SOLAR SYSTEM APPLYING THE LAW OF THE OCTAVE TO:
THE ROTATION, THE ORBIT AND THE PRECESSION OF THE AXIS OF THE EARTH
THE DIFERENT CYCLES OF THE MOON
THE ORBIT OF MERCURY, VENUS, MARS, JUPITER, SATURN, URANUS, NEPTUNE AND PLUTO
THE ROTATION, THE ORBIT AND THE PRECESSION OF THE AXIS OF THE EARTH
THE DIFERENT CYCLES OF THE MOON
THE ORBIT OF MERCURY, VENUS, MARS, JUPITER, SATURN, URANUS, NEPTUNE AND PLUTO
f = sound frecuency
a = duration of the astronomical cycle in seconds
n = variable potency ( diferent durations require diferent potencies to obtain a hearable frecuency)
a = duration of the astronomical cycle in seconds
n = variable potency ( diferent durations require diferent potencies to obtain a hearable frecuency)
THE ROTATION OF THE EARTH = ONE DAY = 24h (measured respect to the sun)
24h x 60 = 1440min
1440min x 60 = 86400sec
f = (1/86400) x 2n
1/86400 = 0,00001157 Hz
f = 0,00001157 x 2n
Fundamental frecuency: 0.00001157 x 2 =
1. Octave: 0.00002314 x 2 =
2. Octave: 0.00004629 x 2 =
3. Octave: 0.00009259 x 2 =
4. Octave: 0.0001851 x 2 =
5. Octave: 0.0003703 x 2 =
6. Octave: 0.0007407 x 2 =
7. Octave: 0.001481 x 2 =
8. Octave: 0.002962 x 2 =
9. Octave: 0.005925 x 2 =
10. Octave: 0.01185 x 2 =
11. Octave: 0.02370 x 2 =
12. Octave: 0.04740 x 2 =
13. Octave: 0.09481 x 2 =
14. Octave: 0.1896 x 2 =
15. Octave: 0.3792 x 2 =
16. Octave: 0.758 x 2 =
17. Octave: 1.51 x 2 =
18. Octave: 3.03 x 2 =
19. Octave: 6.06 x 2 =
20. Octave: 12.13 x 2 =
21. Octave: 24.27 x 2 =
22. Octave: 48.54 x 2 = Deep bass sound
23. Octave: 97.09 x 2 =
24. Octave: 194.18 x 2 =
25. Octave: 388.36 x 2 =
26. Octave: 776.72 x 2 = AUDIBLE RANGE
27. Octave: 1553.45 x 2 =
28. Octave: 3106.89 x 2 =
29. Octave: 6213.78 x 2 =
30. Octave:12427.56 x 2 = High pitch sound
..
HANS COUSTO
THE MATHEMATITIAN AND MUSICAL SCIENTIST HANS COUSTO DISCOVERED AND CALCULATED IN 1978 THROUGH THE LAW OF THE OCTAVE THE TONES FOR THE EARTH, THE MOON, THE PLANETS AND THE SUN. LATER HE ALSO CALCULATED THE TONES FOR DIFERENT MOLECULES AND OTHER ASTRONOMICAL CYCLES.
RUDI WIENAND
I was born and raised in a village in the tyrolian alps in austria.
I started playing the drums when i was twelve, a little later i started to play the didgeridoo and some years later all kind of percussion instruments replaced the batery.
I made an aprenticeship as blacksmith without getting a title, i also studied experimental arts at the university of arts in Linz, Austria.
I lived half a year in Kashmir, India, where i found sense for my life.
one year i lived in Mallorca, Spain, where i worked as a construction worker rebuilding traditional stone built houses.
For twelve years i lived in Mexiko where i worked as musician, scenic percussionist and multi instrumentalist. I also could learn and develop my skills as a sound therapist. I mostly worked with mental and physical disabled people, children with severe neurological damage and elders and children in terminal stage.
At present i live mostly in Spain and northern Marrocco.
I started playing the drums when i was twelve, a little later i started to play the didgeridoo and some years later all kind of percussion instruments replaced the batery.
I made an aprenticeship as blacksmith without getting a title, i also studied experimental arts at the university of arts in Linz, Austria.
I lived half a year in Kashmir, India, where i found sense for my life.
one year i lived in Mallorca, Spain, where i worked as a construction worker rebuilding traditional stone built houses.
For twelve years i lived in Mexiko where i worked as musician, scenic percussionist and multi instrumentalist. I also could learn and develop my skills as a sound therapist. I mostly worked with mental and physical disabled people, children with severe neurological damage and elders and children in terminal stage.
At present i live mostly in Spain and northern Marrocco.